This is a common warning in certain circles that sharing custody a canine companion after a breakup is a terrible idea. Most will argue such setups prevent individuals from finding closure, cause practical headaches, fuel disputes, and are a nuisance for everyone involved. Apparently, in a revelation worthy of a direct-to-platform film, it can even cause the dogs themselves to feel down.
Not to downplay the inner life of dogs – many owners attest to their remarkable empathy. To witness a prime example in canine melancholy, simply recall recent cinema. It seems certain that a dog like Merv, a scruffy terrier type portrayed by a talented dog named Gus, would have a hard time adapting to split households. The idea of basing a full holiday film on this conflict works effectively remains rather doubtful.Predictable Foundations
To its credit, Merv, crafted by the writing duo and helmed by playwright Jessica Swale, never aspires to be more profound than a light film. We have here a seasonal offering from a corporate studio – the ambitions is limited. The plot is destined to be straightforward: a separated couple Russ (Charlie Cox) and Anna, portrayed by Zooey Deschanel, forced to acknowledge that their own sadness is surpassed by their dog's, decide on a therapeutic trip to a dog-friendly resort. At this location, predictably, they will presumably rediscover the idea that they belong with each other. Ensemble players – played by a group of comedic actors – are crafted as the usual assortment of types. Its aesthetic is reminiscent of a branded content, with a Christmas setting that is clearly manufactured – think flurries surrounding lush pines as a summer location doubles as a wintery Boston.
Where the Film Shines
If these familiar elements coalesce into something enjoyable hinges on the strength of the performances and an acceptance of easy entertainment. For the comfort factor, Merv hones in on a demographic – those people who scroll endlessly for pet content. The film delivers a wealth of adorable dog montages. The main attraction is the dog, and though it results in some awkward editing between what the dog does and people's faces, the movie does offer dog beach fun, canine sorrow, and, ultimately, doggie joy.
Where It Wobbles
Such effectiveness cannot be applied for the interpersonal drama. The tone wavers between relationship drama, broad humor, predictable love story, and silly gags, failing to master a consistent feel. This is not Charlie Cox, who is admirably committed the silliness and cringe inherent in the bizarre setting. Cox exhibits a endearing lack of ego that offers a significant portion of the appeal for this seemingly ideal couple. Anna's portrayer, in her typical fashion, brings a particular brand of eccentricity that will click for some but not others. The character comes across as a bit too dry, notably when paired with Cox's genuine sadness. (For what it's worth, Gus the Dog is convincing at flopping and whining – while no Messi from that acclaimed drama, he's definitely an excellent dog.)
Merv tries to add substance to Anna and Russ's relationship for moments when the dog is absent – a bit of a pity, given that the dog is by far the most adorable aspect of this cute-aiming movie. As one might predict, it meets the bare minimum. The cause for their original breakup would feel more adult and realistic with greater exploration and less blunt explanation. In the end, Merv is gentle and pleasant, fulfilling all its marks. Making a film on this shared-custody premise is not terrible – but I wouldn't call it a great one either.
- Merv becomes available on the Amazon platform this December.
